Pre-1830
Caleb Alexander. A New Introduction
to the Latin Language. Worcester, MA: Isaiah Thomas, 1795.
In the last quarter of the eighteenth
century, coarse cloth like this was commonly used on school
books. In rural Britain, and throughout America, its use on
that class of book would continue through most of the nineteenth
century. Many examples, including the 1795 book shown here,
have boards made of thin wood, called sca'boards. Isaiah Thomas
was one of the pre-eminent printers of his time and founder
of the American Antiquarian Society. |
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James A. Hillhouse. Percy's
Masque. New York: C. S. Van Winkle, 1820.
This paper over boards binding
with untrimmed edges was intended to be a temporary binding.
The survival of so many of these types of bindings indicates
that their longevity was underestimated. |
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Sholto & Reuben Percy. The
Percy Anecdotes. New York: W.
B. Gilley, 1821.
An advertisement on the back cover
of this example of paper wrappers states that The Percy
Anecdotes were to be comprised of 25 parts (this is part
12), and published semi-monthly at fifty cents a part. It continues,
"They will be printed on fine writing paper, in imitation
of the London copy, each Part making a handsome pocket volume." |
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Forget Me Not. London: R. Ackermann, 1828.
Rudolph Ackermann was born in Saxony in 1764 but settled in England where he opened a print-shop. In November 1822, he was the first to publish a "literary annual" in Britain. Forget Me Not, a Christmas & New Year's Present for 1823, was based on the very popular Continental examples, particularly Das Taschenbuch. Other publishers soon followed suit, and by 1832, there were some sixty-three titles available in Britain, many of them published in editions of unprecedented size. Until 1832, Forget Me Not usually appeared as it does here, in glazed paper boards printed with a classical design and in a matching slip-case. |
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The Keepsake. London:
Hurst, Chance, & Co. & R. Jennings, 1828.
The inaugural edition of this annual,
bound in moiré silk, introduced three new features: a
colored presentation plate with a wreath of flowers designed
by Thomas Stothard; a change in format from pocket size to octavo;
and anonymous contributions. In the following year, The
Keepsake abandoned the last of these, with promoter Charles
Heath offering Robert Southey fifty pounds to make a contribution.
Southey accepted and noted in a letter that Heath had sold 15,000
of The Keepsake and reserved 4,000 yards of silk for binding
the next volume. The gilt titling on the spine was done by hand,
probably with a typeholder, by a traditional finisher. |
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Bouillet. Les Messagers des
Graces. Paris: Chez Marcilly, 1818.
Some booksellers in Britain began
importing annuals and keepsakes from the continent quite early
in the nineteenth century: they sold very well. Intended as
gifts, they were usually bound in silk, embossed leather, or
velvet, like this volume, which also has watercolors pasted
on both covers and silk endpapers. |
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Bernard Blackmantle. The
Punster's Pocket-Book. London: Sherwood, Gilbert, &
Piper, 1826.
This book, which has a gilt leather
spine label in addition to the paper label on the front board,
can also be found in paper over boards. Published under a pseudonym
by Charles Molloy Westmacott, it contains numerous illustrations
by Robert Cruikshank. |
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John
C. Rudd. Discourses Addressed to Young Men. Auburn, NY:
Philo B. Barnum, 1830.
Charles
Johnston. A Narrative of the Incidents Attending the Capture, Detention, and Ransom of Charles Johnston. New York: J. & J. Harper, 1827.
Allan Cunningham. Sir Marmaduke Maxwell. London: Taylor & Hessey, 1822.
John R. Jewitt. Narrative of the Adventures and Sufferings of John R. Jewitt. New York: n.p., 1815(?).
From the earliest days of cloth through at least the 1840s, books were contemporaneously issued in both quarter and full cloth. When book cloth first appeared, a popular and economical style of traditional binding was quarter leather with paper sides. It may be assumed that since quarter cloth binding offered little in the way of economy, it was offered to suit prevailing public taste. |
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Novum Testamentum Graecum.
London: William Pickering, 1828.
This is the penultimate book in
the famous "Diamond Classics" series. Pickering's
first publishing venture, the "Diamond Classics" were
so named because they were set in diamond type, equal to 4.5
point. These books were among the first of any to be bound in
publishers' cloth. |
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1830-1839 |