Home
- Welcome
- Visualizing Camelot: An Introduction
- Visualizing Camelot in Everyday Life
- Visualizing Camelot at the Movies
- Visualizing Camelot in Popular Culture
- Visualizing Camelot: Major Authors
- Illustrated Malory Editions
- Ashendene Press Malory and "The Barge to Avalon"
- Retellings of Malory
- Illustrated Tennyson Editions
- Tennyson's Influence on Popular Art and Culture
- Tennyson, Watts, and the Strength of Ten
- Art Based on Malory and Tennyson
- Illustrating Mark Twain's A Connecticut Yankee in King Arthur's Court
- Reworking Twain's Connecticut Yankee
- T. H. White
- Sir Gawain and the Green Knight
- Children's Books
- Visualizing Camelot: Iconic Images
- Lancelot Speed
- Aubrey Beardsley
- Fritz Eichenberg
- Women Illustrators
- Curators' Acknowledgments
- Credits
- Events and Programming
- Related Resources, Programming, and Exhibits
Reworking Twain's Connecticut Yankee
Mark Twain’s A Connecticut Yankee in King Arthur’s Court has remained popular and influential since its publication in 1889. Frequently reprinted, translated, and adapted to the stage, it has been the source for retellings that send Hank Morgan and others back to Arthur’s time. Adapted as a play, it has also been reworked into more than a dozen films, going back to the 1921 silent version. With each new film that is made, the Yankee’s technology changes—from the cars and tanks of the 1931 Will Rogers remake to the jetpack and lunar rover of the 1979 Unidentified Flying Oddball (1979) and Whoopi Goldberg’s laptop in A Knight in Camelot (1998).