Home Page About the Archive Introduction Enter Exhibit About John A. Williams link to register Credits
Home Page Archive introduction enter exhibit About John A. Williams Papers credits

Browse the Exhibit Cases:
Note: Case 21 contains audio and video clips.
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SAFARI WEST (1998)

Safari West is my second collection of poetry and was published by Hochelaga Press in Montreal, Canada, but given the American Book Award from the Before Columbus Foundation for poetry in 1998. (My first BCF award was in 1983 for !Click Song.) Poems, my first collection of poetry, was self-published in 1953.

scanned photo

Bust of Williams by James Reed, 6 September 1988. A reproduction of the bust was used for the Safari West jacket art.

scanned bookjacket for safari west

Printed paper jacket for Safari West. Designed by Raymond Beauchemin.

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scanned letter

Typed letter, Raymond Beauchemin to Williams. 27 June 1997.

scanned title page, signed, for safari west

SAFARI WEST. Montreal, Canada: Hochelaga Press (1998). First edition.

scanned poem

"THE WAY IT IS," from Safari West, original typescript.

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scanned award

American Book Award, the Before Columbus Foundation, 1998.

scanned article

Article from publication announcing the American Book Awards, the Before Columbus Foundation, 1998.

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CLIFFORD'S BLUES (1999)

Clifford's Blues, once titled Trio: Clifford's Blues, began its march around 1988 with three, not one, major characters. It was submitted no less then 40 times and was not published as a complete novel until 1999. Excerpts from it had been published in Another Chicago Magazine, Syracuse University Magazine, Love (a Babcock & Koontz broadside), Black American Literature Forum, and Rutgers University Magazine. It was finally published in a paperback edition by Coffee House Press in 1999.

scanned page froma book

"Chapter 21" of CLIFFORD'S BLUES published in Black American Literature Forum, Vol. 23, Number 2 (Summer 1989).

scanned typescript

Original typescript, The Book Without Title became Clifford's Blues.

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"THE VISITORS," Syracuse University Magazine, Vol. 4, No. 3 (June 1988).

scanned title page, signed, for LOVE
LOVE. Derry, N.H., Ridgewood, N.J.: Babcock & Koontz (1988). Copy 18 of edition 200. Signed by Williams, excerpt from The Book Without Title.
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I had done considerable research on this novel, including two trips to Germany to visit Dachau, several interviews with survivors, a lot of diary readings, histories, and reports. In the Dachau museum there was a picture of a black inmate who looked just like me. In another photo, to the far left, there is an entire column of black prisoners marching down a road inside the camp. Oxford Film & Television of London in 1998 released a video on Channel Four that dealt with African-Germans and other blacks unlucky enough to be in Germany at the time who were "camped."

scanned proof for clifford's blues

CLIFFORD'S BLUES. Minneapolis, Minn.: Coffee House Press (1998). Uncorrected galley, showing the first version of the cover art.

scanned bookjacket for clifford's blues

CLIFFORD'S BLUES. Minneapolis, Minn.: Coffee House Press (1998). First edition.

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All around, Clifford got very good reviews, but not in the major press. One review in a prominent book review publication identified me as a "young, new writer."

scanned magazine cover

"CLIFFORD'S BLUES: A CONVERSATION WITH JOHN A. WILLIAMS," in New York Stories, Vol. 1, No. 5, (Winter 2000). Michael Blaine, Raymond Bowen, Gil Muller.

scanned letter

Typed letter from Williams to Glenda Kuneman, 14 June 2000.

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COLLEAGUES

Colleagues has traveled much since 1994 and remains unpublished despite several revisions and refinements of plot and character.

The novel is based on more than 25 years of college teaching, of perceptions gained during my association with faculties at several universities, and on my friendships with students at some of those institutions.

scanned drawing

Original drawing by Williams of the campus setting for Colleagues.

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scanned typescript

COLLEAGUES. Original typescript for the unpublished novel.

Usually the given reason for the rejection is that it is a "college novel," but of course, it is far more than that. I don't know of a novel that has ever dealt with the growing black faculty, or the subterranean skull-duggeries of moving up the ladder to full professor, or the relationship between the prominence of an institution of higher education in many instances being based, in part, on its athletic program.
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VANQUI (1999)

In the early 1980s, Leslie Burrs, a master wind instrument musician and composer, contacted me from his home near Philadelphia. He proposed that he and I collaborate on an opera called Queenie Pie, which was based on a work that Duke Ellington had begun but never completed. His son, Mercer, seemed amenable to the project, but it was difficult to determine who owned the rights, so nothing ever came of it.

scanned libretto

VANQUI. Original printed score with libretto by Williams and music by Leslie Savoy Burrs (1998). "Women's Deep Song," with Williams's corrections shown.

scanned opera program

Opera Columbus program for Vanqui premiere. (October 1999).

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A few years later, when Leslie was commissioned by Opera Columbus in Ohio to write the music for an opera, he brought me on board. As with Queenie, he wished to compose from the libretto, which I wrote in verse. The opera, Vanqui - named after an African village I found on a very old map dedicated to Sir Isaac Newton - opened in Columbus on 15 October 1999 and ran for six performances. Rodrick Dixon, Benita Valente, Marietta Simpson, and Carmen Balthrop were the leading lights. Gary Sheldon conducted. Several of the lyrics also appear in Safari West.

scanned certificate

Certificate of Honor and Recognition, Columbus City Council. Williams was presented this certificate for Vanqui and Clifford's Blues in 1999.

scanned letter

Typed letter from Williams to Mercer Ellington. 10 December 1982.

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scanned manuscript
QUEENIE PIE. Original manuscript libretto, with Williams's corrections shown.
scanned libretto

QUEENIE PIE. Original manuscript libretto, with Williams's corrections shown.

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ASSESS THE MESS (2003)

Williams has entered the pop music world as well as the operatic, collaborating with son Adam of Powerman 5000 on their latest CD, "Transform." Williams has also written some verses for Walter Salas-Humara (The Silos) for a CD yet to be released.

scanned typescript

"ASSESS THE MESS." Original typescript of song lyrics (2003).

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Williams with son Adam, Los Angeles, May 1997. Adam Williams is lead guitarist for Powerman 5000.

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scanned photo

Williams with Lori and Adam Williams, Getty Museum, Los Angeles, 1999.

scanned compact disk cover
POWERMAN 5000. Tonight the Stars Revolt. Los Angeles: Dreamworks Records (1999). CD-ROM.
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