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Bragdon family papers

 Collection
Identifier: A.B81

Biographical/Historical note

George Chandler Bragdon, Claude Bragdon's father, was born April 29, 1832 at "Chestnut Hill," a well-known station on the Underground Railroad near Lake Ontario in Richland, New York. After attending Union College, he taught briefly before embarking on a career as a newspaperman. He edited a succession of newspapers across upstate New York before he and his family settled in Rochester in 1884. An accomplished poet, ardent Emersonian, and early Theosophist, G.C. Bragdon published a volume of verse, Undergrowth (1895), various pamphlets on New York State, and edited Notable Men of Rochester and Vicinity (1902). He died August 7, 1910.

Katherine Elmina Shipherd was born December 30, 1837 in Walton, New York to Catherine Schermerhorn, a temperance and women's rights advocate, and Fayette Shipherd, a Congregationalist minister and abolitionist. Like the Bragdon's Oswego County home, Fayette Shipherd's house was a station on the Underground Railroad. In 1858, Shipherd moved his family to Ohio where his younger brother John J. Shipherd had been a founder of Oberlin College. Katherine Shipherd taught at Pulaski Seminary in Oswego County, New York prior to her marriage to George C. Bragdon on March 22, 1860. The couple had two children, May (1865-1947) and Claude Fayette (1866-1946). Katherine Bragdon died September 6, 1920.

Claude Fayette Bragdon was born at the Shipherd family home in Oberlin, Ohio on August 1, 1866. His family moved often until shortly after Bragdon and his sister graduated from Oswego High School in 1884 and they settled in Rochester. Bragdon immediately began work as a draftsman for a series of Rochester architects, most notably Charles Ellis, for whom he worked 1886-1889. During this period Bragdon helped to organize the Rochester Architectural Sketch Club and entered numerous architectural competitions, often winning a top prize. In January 1890, Bragdon struck out for New York where he was briefly employed by Bruce Price before returning upstate for a job with the Buffalo firm of Green & Wicks. He returned to Rochester in 1891 to go into partnership with Edwin S. Gordon and William H. Orchard (Gordon, Bragdon and Orchard). Among the firm's most notable projects were competition designs for a New York City Hall and a re-design of Boston's Copley Square, as well as several railroad stations and a commission for a new building for the Rochester Atheneum and Mechanics Institute.

Following his firm's dissolution in 1895, Bragdon went to England, France, and Italy for the summer. Upon his return, he wrote and lectured on his travel experience and on poster art while producing a substantial body of graphic design work for publishers, civic groups, and others. During the 1890s, Bragdon's competition entries and articles, e.g. a series on Colonial architecture in the American Architect and Building News, earned him notice in national architectural circles. His 1901 lecture to the Architectural League of America, "Mysticism and Architecture," further enhanced his rising status. In January 1897, J. Con Hillman joined Bragdon and his young draftsman James Arnold in practice; the partnership was amicably dissolved in 1904. The firm's important commissions included residences for Nathan Stein (1897) and other members of Rochester society, an addition to the Livingston County Courthouse (1898), and with J. Foster Warner, the Otis Arch (1900).

On November 3, 1902 Bragdon married Charlotte Wilkinson of Syracuse after a two-year engagement. The granddaughter of Samuel Joseph May, a Unitarian minister, abolitionist, and influential reformer, Charlotte graduated from Smith College in 1894 and taught there while obtaining a Master's degree in sociology. After college, she worked at the Hartley House settlement in New York City, served as Secretary and then President of the National League of Women Workers, and lobbied in Albany for legislation to protect women workers. The pair moved into a house of Bragdon's design and had two sons, Henry (1906) and Chandler (1907). Charlotte died on December 15, 1907 shortly after childbirth.

At the time of Charlotte's death, Bragdon was designing the First Universalist Church in Rochester along with several residences. By the following spring, he was immersed in Theosophy and soon founded the Genesee Lodge of the Theosophical Society and his Manas Press, through which he published Theosophical tracts and The Beautiful Necessity (1910), Man the Square (1912), A Primer of Higher Space (1913) and other works. By the end of 1909 he had the biggest and most important commission of his architectural career, a Rochester station for the New York Central Railroad. Other important projects of the 1910s were the Canandaigua Historical Building, the Maplewood Branch of the YMCA, Bevier Building, Police Precinct buildings, Chamber of Commerce, and a garden for George Eastman.

During the three years of the New York Central Railroad Station's construction, Bragdon began writing on hyperspace and met the actor Walter Hampden and Eugenie Julier Macaulay, a widow whom he married July 8, 1913. A mystic who received psychic communications recorded by "automatic writing," Eugenie died November 6, 1920.

In 1915, Bragdon introduced his new system of ornament, which was based upon four-dimensional geometry, in his Scammon lectures at the Art Institute of Chicago and in Projective Ornament. He integrated this ornament in several of his built works, including the Chamber of Commerce and Central YMCA (1917), and the Hunter Street Bridge near Toronto (1918). At the same time, Bragdon was working with the community singing movement as "master of light" for a series of Song and Light festivals in Rochester, New York's Central Park, and other locations. Using projective ornament and color theory, he created complex installations marrying choral music to colored light. These festivals, with stage sets framed by thousands of lanterns and screens fashioned like stained glass windows, were witnessed by audiences of up to 60,000. For the next thirty years, Bragdon explored various means of animating color and light, including "color organs" that linked chromatic and musical scales with electricity to play four-dimensional colored light forms.

Following the death of his second wife in 1920, Bragdon moved to New York. In 1919, Bragdon had designed Walter Hampden's Hamlet, beginning nearly two decades of collaboration in the theater. A pioneer in New Stagecraft, Bragdon's theater designs used "invisible sets," bold color, and inventive lighting. Bragdon formally closed his architectural practice and the Manas Press in 1923, let his Rochester house to his sister May and, in 1924, moved into Manhattan's new high-rise Shelton Hotel, where he lived for the rest of his life. In his final decades, Bragdon continued to publish and lecture on a broad range of topics: architecture, theater, film, color, hyperspace, art, yoga, feminism, and the occult. He built concrete bridges, pursued mobile color, designed book jackets and dance sets, and exhibited stage designs and paintings. Claude Bragdon died at home on September 17, 1946.

May Bragdon (1865-1947), the sister of Claude Bragdon, was born May 16, 1865 in Adams, New York. She went to work at Warner's Safe Cure Company in Rochester in 1885, studied stenography and typing, and became secretary to architect James G. Cutler in 1889. In 1910, she left Cutler's to work as office manager for her brother's architectural practice and his Manas Press. In 1918, economic pressures led Bragdon to reduce his office staff, and May found work with the Employment Office of the Combined Metal Trades (1918-1919), the Clothiers' Exchange and, in 1924, the Gannett Publishing Company, where she remained until her retirement in 1938. May Bragdon died March 21, 1947.

Henry Wilkinson Bragdon, Claude Bragdon's eldest son, was born September 6, 1906. He attended Harvard University (B.A. 1928) and Trinity College, Cambridge. He taught history at Brooks School in North Andover, Massachusetts (1930-1945) and Phillips Exeter Academy in Exeter, New Hampshire until his retirement in 1974. Henry W. Bragdon was the author of The Story of a Free People, Woodrow Wilson: the Academic Years, History of a Free Nation, and other works. He and his first wife Katherine Fowler had two sons, David (1932-1998) and Peter (1936- ). His second wife was Jane Hamlin. Henry W. Bragdon died March 15, 1980.

Chandler Bragdon, Claude Bragdon's younger son, was born December 15, 1907. He attended Princeton University and Peterhouse College, Cambridge, and received a Ph.D. from the University of Rochester in 1961. He was History Master at Connecticut's Kent School (1929-30), History Professor at the University of Idaho (1939-44) and the State University College, Plattsburg (1946-65). Chandler and his first wife Elizabeth Fowler had one son, Sam (1943-1983). In 1954, two years after the death of his first wife, Chandler married Sue Roberts Rose. Chandler Bragdon died January 3, 1969.

Scope and Contents

The Bragdon Family Papers are predominantly composed of the personal papers of architect, author, and theater designer Claude Fayette Bragdon but also include those of his parents, sister, wives and children. Included is the correspondence of Claude F. Bragdon with his family and others, including Gelett Burgess, Walter Hampden, Norman Kent, Jiddu Krishnamurti, Kathleen Cunningham, Llewelyn Powys, J.B. Priestley, Nikolai Roerich, Alfred Stieglitz, Peter Uspenskii, John Van Druten, Tennessee Williams, and Frank Lloyd Wright. There are also publications and manuscripts by Bragdon; financial and legal papers; photos of buildings he designed; drawings of stage sets; scores for color music; diaries, 1877-79, 1908-12, 1924-46; scrapbooks; records of the Manas Press; and memorabilia. The correspondence and manuscripts of his sons, Henry W. and Chandler, his father George C. Bragdon, and that of his wives, including the spirit communications of his second wife are included. In addition, the diaries of Kathleen Shipherd Bragdon, 1860-1920; letters and papers of Fayette Shipherd and family; scrapbooks and diaries of May Bragdon; family photographs; and genealogical data; and documents relating to building of Selkirk Bethel Church (Point Ontario, New York, 1848-55) are contained in the collection.

Dates

  • Creation: 1819-1980

Language of Materials

English

Extent

107 box(es)

Access

The Bragdon Family Papers is open for research use. Researchers are advised to contact the Rare Collections & Preservation Department prior to visiting. Upon arrival, researchers will also be asked to fill out a registration form and provide photo identification.



Researchers should note that the May Bragdon diaries are restricted for preservation reasons and may not be paged to the reading room. Interested researchers can view all elements of the diaries in detail on the May Bragdon Diaries digital project website.

Use

In consultation with a curator, reproductions may be made upon request. Permission to publish materials from the collection must be requested from a curator. Researchers are responsible for determining any copyright questions.

Immediate Source of Acquisition

The bulk of the collection was the gift of Henry and Chandler Bragdon with further donations from Peter Bragdon. With the exception of the tile in Box 94, all other architectural salvage from the New York Central Railroad Station was the gift of Douglas U. Baker.

Preferred Citation

[Item title, item date], Bragdon Family Papers, A.B81, Rare Books, Special Collections, and Preservation, River Campus Libraries, University of Rochester.

Arrangement

The Bragdon family papers are arranged in fourteen series, broken down by family member or family groups (in the cases of the Shipherds and Wilkinsons). Materials within each of the series have been organized by focus or format, and then chronologically. Subseries with substantial amounts of material may be broken down further into sub-subseries, usually based on focus on chronology, as the material best suggests. Some folders (especially of correspondence) have been indexed and described at the item level: while this is not a common practice, these details have been included in this finding aid as further aids to research.



Series I: Claude Bragdon

Subseries 1: General correspondence, 1882-1980

Subseries 2: Family correspondence, 1866-1968

Subseries 3: Juvenalia, 1872-1883

Subseries 4: Diaries and pocket memoranda books, 18886-1946

Subseries 5: Processional writing (published/unpublished) and publishing records, 1895-1946

Subseries 6: Printed ephemera for Bragdon lectures and publications

Subseries 7: Graphic artwork

Subseries 8: Architectural projects

Subseries 9: Design work in color, light, and music

Subseries 10: Financial and assorted personal documents

Subseries 11: Scrapbooks

Subseries 12: Secondary material about Claude Fayette Bragdon

Series II: George Lindsay Bragdon

Series III: George Chandler Bragdon

Series IV: Bragdon family ancestors

Series V: Shipherd family

Subseries 1: Correspondence, 1819-1871

Subseries 2: Fayette Shipherd sermons and miscellany, 1823-1870

Subseries 3: Catharine Shipherd, 1832-1854

Subseries 4: Jacob Rudd Shipherd, 1877-1910

Subseries 5: Older generations of Shipherds

Subseries 6: Photographs, Bragdon and Shipherd families

Series VI: Katherine Elmina (Shipherd) Bragdon

Series VII: May Bragdon

Subseries 1: Correspondence and memoirs, 1865-1946

Subseries 2: Miscellaneous personal, 1872-1946

Subseries 3: Autograph books, 1877-1886

Subseries 4: Diaries, 1880-1884

Subseries 5: Diaries, 1893-1904

Subseries 6: Theater program scrapbooks, 1881-1912

Series VIII: Henry Wilkinson Bragdon

Series IX: Chandler Bragdon

Subseries 1: Correspondence, 1916-1941

Subseries 2: Correspondence and miscellaneous, 1942-1968

Series X: David Bragdon

Series XI: Peter Bragdon

Series XII: Charlotte (Wilkinson) Bragdon)

Series XII: Wilkinson family

Series XIV: Eugenie (Julier) Macaulay Bragdon

Processing Information

In January 2022, work was done to incorporate the details from the Bragdon Correspondence Database into this finding aid. The database records, which covered items from Boxes 1-5, 7, and 41, have been imported at an item level and their details entered as item-level notes. These items can be found in Series I, Subseries 1 (General correspondence, 1892-1980), 2 (Family correspondence - 1866-1946), and 6 (Printed ephemera for Bragdon lectures and publications - Publishing records from A.A. Knopf, Manas Press, and Creative Age Press). Researchers should make use of the Ctrl+F function to search for keywords within the body of the finding aid, including these item-level details.

Title
Bragdon family papers
Status
Completed
Author
Finding aid prepared by Rare Books and Special Collections staff
Date
undated
Description rules
Describing Archives: A Content Standard
Language of description
English
Script of description
Latin

Revision Statements

  • March 2022: This finding aid was revised in January-March 2022 to incorporate details from the Bragdon Correspondence Database, and to update and finish arrangement details.

Library Details

Part of the Rare Books, Special Collections, and Preservation Library

Contact:
Rochester NY 14627-0055 USA